Grandaddy reunited back in 2012, but it isn’t until now that the band completes its long-awaited comeback. Full of heartache and alienation, “Last Place” is a classic Grandaddy album with all the fixings.
“If ‘The Breakfast Club’ ever gets a gritty reboot treatment, they should call Rolling Blackouts Coastal Fever for the soundtrack.” Read our review of “The French Press” here.
Portlander Jackson Boone continues psychedelic meandering on new album “Organic Light Factory.”
Omni finds synergy in ‘70s post-punk and modern pop craftsmanship to create a chaotic, compelling debut. See them at Mississippi Studios on March 27.
Touring in support of their fourth studio album, “Bloodshot Tokyo,” New York City indie rock quartet The Dig comes to the Doug Fir Lounge on March 22.
Craig Finn has let us in little by little over the years. With each new record the audience gets closer than ever to him. Finn plays Revolution Hall on March 17, opening for Japandroids.
Turn the volume up, get real close to the screen, and let the liquid light show envelope you.
Xenia Rubinos will take you on a high-energy cultural journey through an eclectic blend of influences inspired by her Puerto Rican and Cuban heritage. See her live on March 20 at Holocene.
Portland producer and Throne Age founder Blacktop Megaphone takes it back to the days of cassettes on his latest instrumental album, “Tape Lonely Boy.”
Psychedelic ragas, adventurous hooks, and as much zurna as you can handle: “Flying Microtonal Banana” is a trip worth taking from start to finish.