In this month’s Literary Arts profile, we talk with Oregon Book Award finalist Eliot Treichel about Y.A. literature and dirty realism.
“If ‘The Breakfast Club’ ever gets a gritty reboot treatment, they should call Rolling Blackouts Coastal Fever for the soundtrack.” Read our review of “The French Press” here.
Portlander Jackson Boone continues psychedelic meandering on new album “Organic Light Factory.”
Touring in support of their fourth studio album, “Bloodshot Tokyo,” New York City indie rock quartet The Dig comes to the Doug Fir Lounge on March 22.
Turn the volume up, get real close to the screen, and let the liquid light show envelope you.
Read our coverage of Jens Lekman’s Friday show at Revolution Hall.
Xenia Rubinos will take you on a high-energy cultural journey through an eclectic blend of influences inspired by her Puerto Rican and Cuban heritage. See her live on March 20 at Holocene.
Portland producer and Throne Age founder Blacktop Megaphone takes it back to the days of cassettes on his latest instrumental album, “Tape Lonely Boy.”
In this month’s local feature, Daydream Machine discusses their new record and the double-edged evolution of the Portland venue landscape in recent years.
In this month’s cover feature, we catch up with Brooks Nielsen of The Growlers to talk touring, industry changes, and the band’s newest album, City Club. The Growlers play Roseland Theater on March 23.