album review

Julia Logue looks toward the horizon on her new album, Welcome To Your Sunrise

In the days just after the winter solstice, the days which sink back into darkness…

Half Shadow’s latest album, “At Home With My Candles,” is the poetic release we need right now

At Home With My Candles, the third full-length album by eclectically esoteric and long-time local…

HELP’s 2053 is a shrill battle cry against complacency in a crumbling world

HELP’s full-length debut (the highly anticipated follow-up to their self-titled EP of 2019) 2053, is here with a vengeance.

Boy Harsher’s “The Runner (Original Soundtrack)” examines the human condition through the lens of campy horror

At the brink of 2020’s semi-social collapse—the live music scene dwindling to a low hum—Boy…

Album Review – Floating Room “Shima”

Portland-based band Floating Room has a talent for capturing that gut-wrenching feeling of being human.…

Album Review – Xenia Rubinos “Una Rosa”

The highly anticipated third full LP from Xenia Rubinos—“Una Rosa”—melds together genres, culture, language, and…

Album Review: Low – “HEY WHAT”

Across their decades making music together, Alan Sparhawk and Mimi Parker have occupied sonic extremes.…

Album Review: Macy Rodman – “Unbelievable Animals”

On her new album “Unbelievable Animals,” Macy Rodman pushes pop to its limits, exploring the fascinating spaces where things start to warp as the form breaks down.

Album Review: Lo Fives – “No Fidelity”

“No Fidelity” is the latest dizzy and electric full-length from Portland’s Lo Fives. Presumably, the…

Album Review: Phone Voice – “Cradle Tape”

Phone Voice’s first album, “Cradle Tape”—released August 6th on Strawberry Moon Records—is the type of…