In a world where massive corporate entities can send you anything you could think to want within 24 hours thanks to outsourced supply chains and exploitative labor practices, Hank’s model seems crazily outmoded, but also rare and necessary–his care for the things he sells and his insistence that they get sold function as two parts of the same impulse, which is towards the creation of a larger collective musical community.
ELEVEN PDX is proud to have attended nearly a decade’s worth of shows at Treefort…
At the brink of 2020’s semi-social collapse—the live music scene dwindling to a low hum—Boy…
One might never expect that Zack Fischmann a.k.a. Marmalade Mountain, a self-proclaimed hippy who wrote…
ELEVEN: I’m always curious about how artists find their medium, especially those which are less…
Wasn’t the world wide web meant to increase information accessibility and economic convenience? Why then…
Funeral for Flaca, is a poignant collection of personal essays and book debut of Portland-based…
The summer of 1969 was historic in many respects: humankind first set foot on the…
Edgar Wright’s documentary on the cult pop “band” Sparks (brothers Ron and Russell Mael) is…
Anthony Bourdain’s death by suicide is recalled by the public just as vividly as the…