Mal Blum’s “Pity Boy” hits home with pop-punk style guitar chords, gentle folk-like riffs, and a catchy indie pop structure.
Local legend Kyle Craft is back again with catchy and tasteful “Showboat Honey,” the band’s third album with Sub Pop.
Wearing her heart on her sleeve, Satalino navigates these feelings as musical moniker Outer Spaces, a solo act that has taken on a full form in its newest album Gazing Globe.
Jilian Medford creates that perfect indie rock gaze sound as IAN SWEET.
LA trio Froth (Joo-Joo Ashworth on vocals and guitar, Jeremy Katz on bass and guitar,…
Excerpt for online: Hannah Rodgers, aka Pixx, keeps her synth-electro flare while adding some grungy edge on her second full-length album.
The avant-pop stalwarts’ fifth record is full of funky white-boy indie pop… but do we need more funky white-boy indie pop?
Sinkane’s new record, Dépaysé, speaks in voices that demand to be heard.
Given the time they had to explore off-tour and not quite at home, Big Thief experimented, playing with what they call, “dynamic feedback and spiritual, rhythmic togetherness.”
Dreamy melodies, folksy instrumentals and Southern twang are at the heart of Faye Webster’s newest album, “Atlanta Millionaires Club.”